ARC Review: And the Trees Crept In
1:30:00 PM
Genre: Horror, YA, Thriller, Mystery
Published: September 6, 2016 by Little, Brown Books (US Pub date; published July 2016 in the UK under the title The Creeper Man)
Rating: ★★★★ 4/5 stars
I received this copy in advance from the publisher in exchange for an honest review.
Synopsis (from Goodreads): A stunning, terrifying novel about a house the color of blood and the two sisters who are trapped there, by The Dead Houseauthor Dawn Kurtagich
When Silla and Nori arrive at their aunt's home, it's immediately clear that the "blood manor" is cursed. The creaking of the house and the stillness of the woods surrounding them would be enough of a sign, but there are secrets too--the questions that Silla can't ignore: Who is the beautiful boy that's appeared from the woods? Who is the man that her little sister sees, but no one else? And why does it seem that, ever since they arrived, the trees have been creeping closer?
Filled with just as many twists and turns as The Dead House, and with achingly beautiful, chilling language that delivers haunting scenes, AND THE TREES CREPT IN is the perfect follow-up novel for master horror writer Dawn Kurtagich.
As fall
is on the cusp of arriving and the season for spooks and pumpkin spice draws
nearer, what better way to kick things off than with a creepy read? Whether
you’re a seasoned reader of horror or a novice just starting to read the genre,
this book surely will not disappoint.
I myself
am a huge fan of the horror genre, and as such it can take quite a bit to
really freak me out. I don’t scare easily, but this book had some heavy imagery
involving my deepest fears. I mentioned it as I read on Goodreads and Twitter,
but for my whole life I have had a massive phobia of worms, maggots,
caterpillars, and anything similar. If you don’t do too well with creepy
crawlies of that ilk either, just prepare yourself. Among the wriggly squirmy
terrors within this book, the constant plot twists and turns, coupled with the
fear of the unknown and the ever-growing mystery of it all really kept me
engaged as a reader. I was constantly second guessing my theories and always
questioning what was real and what was not – was that scene a hallucination? Or
did it really happen to the characters? You’ll be kept on your toes and left
hanging at the end of every chapter.
What I
loved about this book was the brand of psychological horror that came into
play, and how I kept questioning everything in the plot that I thought I knew
to be true. It takes quite a bit to scare me, and this book had some instances
that made me want to lock my bedroom door each night and sleep with the light
on. The evil force within the story was a Slenderman-type figure, tall and
lanky with no face, imposing on Silla and Nori, creeping ever closer as the
story goes on. But when Gowan, a stranger from the woods appears with what
seems to be their salvation, things are turned on their head and the
psychological element of the story really begins to come into play. Dawn
masterfully weaves a story that keeps you guessing at every twist and turn. I
was so darn confused about what was happening at certain points, because just
when you think you have it all figured out… something changes, and you’re left
guessing like crazy about what all of it will amount to. It’s hard to truly do
it justice in describing it without spoiling the whole plot, but I will say
that I am one of only 3 other early readers, according to Dawn, who correctly guessed
the truth behind the twist ending.
The only
qualms I had with the plot was the lack of development between the characters’
relationships with one another; although I realize now that it was a plot
device meant to agitate and make you unsettled and realize something was amiss.
It was established right off the bat that Silla and Nori were super close as
sisters, and I loved that about their
dynamic. However, their relationship with their aunt seemed rushed and scattered.
The relationship between Gowan and Silla also seemed very nonexistent, but I
loved the message of always finding one another no matter what. I understood at
the end of the book why there was little or no development between the
relationships of the characters, but I still wish it was there. The development
of the characters themselves was spectacular, however. Silla’s downward spiral
felt so real and plausible, Aunt Cath’s inevitable withdrawal was cold and unforeseeable, and Gowan was a total mystery to me.
If you’re
new to the horror genre, I would certainly recommend picking up this book. It
reminded me in format of Illuminae in many ways, whether it was the change of
perspective or the burned book journal entry pages, or the flashbacks Aunt Cath
had, right down to the skewed typeset or enlarged text. The voice was unique
and the storytelling was magnificent.
While the characters’ interaction
and relationships fell a bit flat, I thoroughly enjoyed the days I spent curled
up in my room anxiously awaiting the end of the story when all was revealed;
and when it was, it did not disappoint.
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